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seit / since 1990
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Pic. © EFAS
History
EFAS 1990 - 91
“Scenes from a marathon dance”
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HOTLIPS
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(zuerst die Musik starten und dann zurück auf diese Seite sie Texte lesen und die Bilder anschauen...ist zwar kein Film, aber passt :-)))
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INT. BALLROOM NIGHT, DANCE FLOOR
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SAILOR
(referring to her gown)
Hey, Hotlips, is that from Paris?
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ALICE
No, my mother made it - do you like it?
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SAILOR
(realizing she´s serious)
Yes...yes, it´s very nice.
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Pict.: Efas 1990
Pics.: Efas 1990
Pict.: Efas 1990
AND SO DOES THE MARATHON
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The BAND breaks into "I FOUND A MILLION DOLLAR BABY"
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FULL SHOT DANCE FLOOR
The remaining couples move back together and dance...
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Pics.: Efas 1990
FULL SHOT DANCE FLOOR
The remaining couples dance and dance...
leaving SAILOR and GLORIA each standing alone.
They look across the floor toward each other.
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ANGLE FAVORING SAILOR AND GLORIA
as they move toward each other.
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TIGHT TWO SHOT SAILOR AND GLORIA
SAILOR smiles wanly at HER.
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SAILOR
I guess it´s you´n me now, Gloria.
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She puts one arm around his back.
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GLORIA (softly)
Yeah.
Pict.: Efas 1990
Pict.: Efas 1990
NO WINNERS
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INT. BALLROOM NIGHT
down angle on Rollo continuing over
SHIRL, who collapsed in a limp, half conscious exhaustion on the floor. SAILOR huddles over her.
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ROLLO:
...Three ... Four...
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SAILOR:
Don´t! Give ´er a chance! She´l glet up. (trugging her)
Close down shot on SHIRL, she lies still huddled like a wounded thing that has finally been run to ground. Her eyes are glazed and tick -lidded, as she stares up toward Sailor and Rollo. Her lips move - but no words form...no sound emerges.
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(SAILOR and ROLLO speak together)
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SAILOR:
...try, Shirl! ...Try!...
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ROLLO:
...Eight ... Nine...
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New angle on scene, SHIRL try to cling feebly to SAILORS HANDS as ROLLO ´s extended finger SLASHES INTO FRAME.
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ROLLO:
...TEN!!
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ANGLE WIDENS as the DOCTOR and one of nurses push throught and start helping SHIRL up.
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ROCKY signal the BAND, wich segues into "TILL WE MEET AGAIN".
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ROCKY:
Miss SHIRLEY CLAYTON, We´re gonna miss you, Shirl! Isn´t that right, folks?
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Pics.: Efas 1990
SO LONG SAILOR
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INT. BALLROOM NIGHT - ON ROCKY
weawe a reassuring hand to the audience..
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ROCKY:
...Look like our ancient mariner may have taken a little spill. But nothing to worry about.
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CLOSE ANGLE ON DOCTOR AND SAILOR
as the DOCTOR injects the hypo of adrenalin into SAILOR.
A beat... then SAILOR´ s body moves slightly.
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ANGLE ON ROCKY
ROCKY:
...Get him out of here. The back way!!
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ANGLE WIDENS as the DOCTOR and one of nurses lifting the still inconscious and now blanket-covered Sailor on a stretcher and starting to move off with him through the parting onlookers.
Rocky turns back to the mike. He smiles:
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ROCKY:
...Message from the Doctor: just a little touch of heat prostration. Nothing serious.
...So long, Sailor, but we know, you´ll be back to see us...
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The BAND starts playing "TILL WE MEET AGAIN".
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(Excerpt. from Screenplay by Robert E. Thompson and James Poe,
ABC Pict./Palomar Pict., Re-prod. under the Fair Use Doctrine)
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Pics.: Efas 1990
Pict.: Efas 1990
1990/91
“Scenes from a marathon dance”
EFAS-Übungsproduktion, freie Bearbeitung nach Horace McCoy, Regie: Olof Peer Rhodin -IMDb- (Stockolm) und Rolf Sarkis (Zürich),
Produktion: EFAS Zürich, 45’
1990/91
“Scenes from a marathon dance”
EFAS Exercice-production, freee Adaption from Horace McCoy, directed by Olof Peer Rhodin -IMDb- (Stockolm) and Rolf Sarkis (Zürich), Production: EFAS Zürich, 45’
Pics.: Efas 1990
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